Julian Schwarz has been heralded from a young age as a cellist destined to rank among the greatest of the 21st century, Julian’s powerful tone, effortless virtuosity, and extraordinarily large color palette are hallmarks of his style.

After making his concerto debut at the age of 11 ...

Julian Schwarz has been heralded from a young age as a cellist destined to rank among the greatest of the 21st century, Julian’s powerful tone, effortless virtuosity, and extraordinarily large color palette are hallmarks of his style.

After making his concerto debut at the age of 11 with the Seattle Symphony, he made his US touring debut with the Moscow Radio Symphony Orchestra in 2010. Since being awarded first prize at the inaugural Schoenfeld International String Competition in Hong Kong, he has led an active career as soloist, performing with the symphony orchestras of Annapolis, Arizona, Boise, Buffalo, Charlotte, Columbus, Delaware, Des Moines, Hartford, Jacksonville, Louisville, Memphis, Modesto, Omaha, Puerto Rico, Richmond, Rochester, San Antonio, San Jose, Sarasota, Syracuse, Toledo, Tucson, Virginia, West Virginia, Wichita, and Winston-Salem, among many others. Internationally, he made his Australian debut with the Queensland Symphony, his Mexican debuts with the Boca del Rio Philharmonic in Veracruz and the Mexico City Philharmonic with frequent collaborator Jorge Mester.

As a chamber musician, Mr. Schwarz performs extensively in recital with pianist Marika Bournaki. In 2016 Schwarz & Bournaki were awarded first prize at the inaugural Boulder International Chamber Music Competition’s “The Art of Duo”, and subsequently embarked on an extensive 10-recital tour of China in March 2017. Mr. Schwarz is a founding member of the New York based touring ensemble “Frisson” and was recently appointed the newest core member of the Olmos Ensemble in San Antonio, TX. He is a member of the Palladium Chamber Players (St Petersburg FL), the Alaria Ensemble (New York NY), and has given over 100 performances at Brooklyn’s Bargemusic. He has appeared at the Cape Cod Chamber Music Festival, Orcas Island Chamber Music Festival, Seattle Chamber Music Festival, Josef Gingold Chamber Music Festival, Verbier Festival, and the Salzburg Mozarteum. In addition, he runs programming for the Tuesday evening chamber music series at the Eastern Music Festival in Greensboro, NC.

Mr. Schwarz is deeply committed to the future of American music, and will present the world premiere of Jennifer Higdon’s first Cello Concertro with a large consortium of orchestras spring 2026. His championing the cello music of Arthur Foote will result in the first commercial recording of Foote’s Cello Concerto (1894) with the Buffalo Philharmonic, to be released on the Delos label. Past commissioning projects include concertos by Lowell Liebermann (recorded with the Annapolis Symphony for release in 2025), Richard Danielpour, and Samuel Jones (recorded with the All Star Orchestra for public television in 2012, subsequently released as a DVD on Naxos). Other premieres include recital works by Paul Frucht, Scott Ordway, Jonathan Cziner, Gavin Fraser, Alex Weiser, Ofer Ben-Amots, Michael Ippolito, chamber music by Adolphus Hailstork, Henri Lazarof, Jonathan Newman, Bright Sheng, and the US Premiere of Dobrinka Tabakova’s Cello Concerto. Of special note is Mr. Schwarz’s ongoing commitment to the music of Jewish experience, including projects with the YIVO Institute for Jewish Research (music of Joachim Stutschewsky and his circle), the Defiant Requiem Foundation (music of Holocaust composers and their influence) Central Synagogue (yearly feature on Jewish Broadcasting), the Milken Archive of American Jewish Music—for which he has recorded the complete cello/piano works of Ernest Bloch, and a new association with South Florida Public Broadcasting to raise awareness of the history of Jewish music.

A devoted teacher, Mr. Schwarz serves as Associate Professor of Cello and String Area Coordinator at Shenandoah Conservatory of Shenandoah University (Winchester, VA), and on the artist faculty of NYU’s Steinhardt School of Music. In the summer, he teaches and performs at the Eastern Music Festival and the Josef Gingold Festival. In 2023, he was one of the first cellists to record pedagogical tutorials for the online teaching platform Tonebase, including comprehensive examinations of the Elgar Concerto, Piatti Caprices, tone production, and vocal elements in cello playing. As a writer, he has contributed frequently to Strings Magazine’s Artist Blog, has written learner’s guides for The Violin Channel, and has edited a series of Ernest Bloch editions with written prefaces for Carl Fischer Publishing. Past faculty appointments include artist-in-residence at the Lunenburg Academy of Music Performance (Nova Scotia, Canada) and faculty teaching assistant to Joel Krosnick at The Juilliard School.

Born in Seattle, WA in 1991 to a multigenerational musical family, Mr. Schwarz studied at the Academy of Music Northwest and the Lakeside School. He continued to the Colburn School in Los Angeles under Ronald Leonard, and then moved to New York City to study with mentor Joel Krosnick at The Juilliard School (BM 14, MM 16). Other influential teachers include the late David Tonkonogui, the late Toby Saks, the late Lynn Harrell, Neal Cary, and chamber music mentors Andre Roy, Arnold Steinhardt, Jonathan Feldman, Toby Appel and Paul Coletti. Julian plays a Neapolitan cello made by Gennaro Gagliano in 1743 and American bows by Paul Martin Siefried. A Pirastro and Melos artist, he endorses and plays the “Perpetual” medium and edition sets of cello strings and Melos light rosin.

Julianschwarz.com

Described as bringing an “artisan storyteller’s sensitivity… shaping passages with clarity and power via beautifully sculpted dynamics… revealing orchestral character not seen or heard before” (Arts Knoxville) Lawrence Loh enjoys a dynamic career as a conductor of orchestras all over the world.

After an extensive two ...

Described as bringing an “artisan storyteller’s sensitivity… shaping passages with clarity and power via beautifully sculpted dynamics… revealing orchestral character not seen or heard before” (Arts Knoxville) Lawrence Loh enjoys a dynamic career as a conductor of orchestras all over the world.

After an extensive two year search, Lawrence Loh was recently named Music Director of the Waco Symphony Orchestra beginning in the Spring of 2024. Since 2015, he has served as Music Director of The Syracuse Orchestra (formerly called Symphoria), the successor to the Syracuse Symphony Orchestra. “The connection between the organization and its audience is one of the qualities that’s come to define Syracuse’s symphony as it wraps up its 10th season, a milestone that might have seemed impossible at the beginning,” (Syracuse.com) The Syracuse Orchestra and Lawrence Loh show that it is possible to create a “new, more sustainable artistic institution from the ground up.”

Appointed Assistant Conductor of the Pittsburgh Symphony in 2005, Mr Loh was quickly promoted to Associate and Resident Conductor within the first three years of working with the PSO. Always a favorite among Pittsburgh audiences, Loh returns frequently to his adopted city to conduct the PSO in a variety of concerts. Mr. Loh previously served as Music Director of the West Virginia Symphony Orchestra, Music Director of the Northeastern Pennsylvania Philharmonic, Artistic Director and Principal Conductor of the Syracuse Opera, Music Director of the Pittsburgh Youth Symphony Orchestra, Associate Conductor of the Dallas Symphony Orchestra, Associate Conductor of the Colorado Symphony Orchestra and Music Director of the Denver Young Artists Orchestra.

Mr. Loh’s recent guest conducting engagements include the San Francisco Symphony, Dallas Symphony, North Carolina Symphony, Baltimore Symphony, Sarasota Orchestra, Florida Orchestra, Pensacola Symphony, Atlanta Symphony, National Symphony, Detroit Symphony, San Diego Symphony, Seattle Symphony, National Symphony (D.C.), Utah Symphony, Rochester Philharmonic, Indianapolis Symphony, Calgary Philharmonic, Buffalo Philharmonic, Albany Symphony and the Cathedral Choral Society at the Washington National Cathedral. His summer appearances include the festivals of Grant Park, Boston University Tanglewood Institute, Tanglewood with the Boston Pops, Chautauqua, Sun Valley, Shippensburg, Bravo Vail Valley, the Kinhaven Music School and the Performing Arts Institute (PA).

As a self-described “Star Wars geek” and film music enthusiast, Loh has conducted numerous sold-out John Williams and film music tribute concerts. Part of his appeal is his ability to serve as both host and conductor. “It is his enthusiasm for Williams’ music and the films for which it was written that is Loh’s great strength in this program. A fan’s enthusiasm drives his performances in broad strokes and details and fills his speaking to the audience with irresistible appeal. He used no cue cards. One felt he could speak at filibuster length on Williams’ music.” (Pittsburgh Tribune)

Mr Loh has assisted John Williams on multiple occasions and has worked with a wide range of pops artists from Chris Botti and Ann Hampton Callaway to Jason Alexander and Idina Menzel. As one of the most requested conductors for conducting Films in Concert, Loh has led Black Panther, Star Wars (Episodes 4-6), Jaws, Nightmare Before Christmas, Jurassic Park, Casablanca, The Wizard of Oz and Singin’ in the Rain, among other film productions.

Lawrence Loh received his Artist Diploma in Orchestral Conducting from Yale, his Masters in Choral Conducting from Indiana University and his Bachelor of Arts from the University of Rochester. Lawrence Loh was born in southern California of Korean parentage and raised in Carlisle, Pennsylvania. He and his wife Jennifer have a son, Charlie, and a daughter, Hilary. Follow him on instagram @conductorlarryloh or Facebook at @lawrencelohconductor or visit his website, www.lawrenceloh.com