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October 14, 2023 @ 7:30 pm
Oncenter Crouse Hinds Theater
421 Montgomery St. Syracuse , NY 13202




Program



LEONARD BERNSTEIN
Overture to Candide

ROBERT SCHUMANN
Concerto for Cello in A minor, Op. 129
I. Nicht zu schnell
II. Langsam
III. Sehr lebhaft
Mr. Elliott, cello

INTERMISSION

ANNA CLYNE
This Midnight Hour

LEONARD BERNSTEIN
West Side Story: Symphonic Dances
I. Prologue
II. “Somewhere”
III. Scherzo
IV. Mambo
V. Cha Cha
VI. Meeting Scene
VII. “Cool” Fugue
VIII. Rumble
IX. Finale

 

Thank you to our concert sponsor!

 

Thank you to our media sponsor!


















Program Notes



            Although we didn’t know it when we scheduled this concert anchored in the art of Leonard Bernstein (1918–1990), our choice of timing turns out to be have been auspicious: Bradley Cooper’s new film about Bernstein’s marriage to Felicia Montealegre, Maestro, is scheduled to be released in the United States on November 22.

The program catches Bernstein at a high point in his career. Candide (1956) and West Side Story (1957) opened within less than a year of each other—and they confirmed ...

            Although we didn’t know it when we scheduled this concert anchored in the art of Leonard Bernstein (1918–1990), our choice of timing turns out to be have been auspicious: Bradley Cooper’s new film about Bernstein’s marriage to Felicia Montealegre, Maestro, is scheduled to be released in the United States on November 22.

The program catches Bernstein at a high point in his career. Candide (1956) and West Side Story (1957) opened within less than a year of each other—and they confirmed the 38-year-old Leonard Bernstein as our most protean musician. It’s not simply that he was already a world-famous conductor (he had made his New York Philharmonic debut in his early twenties and was appointed co-principal conductor in 1957) and a startlingly good concert pianist. After all, lots of conductors launched their careers early, and many were also first-rate instrumentalists. Nor was it simply that he wrote music as well. So did many of the other great conductors (including, of course, his idol Gustav Mahler). No, what distinguished Bernstein was the astonishing range of his sympathies, in terms of both genre and mood.

Leonard Bernstein Annotating a Score            He’d already written symphonic music, popular musicals like On the Town (source of the song “New York, New York”), ballets, and even a blues song, “Big Stuff,” for Billie Holiday. He was equally at home in radiant music evoking innocent love and in rough music bristling with working class grit (his film score for On the Waterfront). What made Candide and West Side Story stand out in particular was the skill with which he managed to combine all those different voices into works that were staggering in their variety, yet simultaneously consistent in their vision—works in which high-toned classical procedures (for instance, the fugue in West Side Story’s “Cool”) rubbed up against vernacular idioms.

            Besides their eclecticism, Candide and West Side Story had another quality in common: Both were politically committed. Candide was based on Voltaire’s novel from 1659, a bitterly satiric attack on a wide range of social ills that still plague the world more than 350 years later. West Side Story, based on Shakespeare’s Romeo and Juliet, was less satiric, more direct—but it was no less bitter in its depiction of racial and ethnic violence, and (more important still) in its searing indictment of the ways in which the powers-that-be use (and even encourage) that animosity for their own ends.

            The spirit of their literary sources certainly helped fuel the spirit of the two works. At the same time, though, Bernstein and his collaborators (including writers Lillian Hellman and the young Stephen Sondheim) drew on a rich tradition of eclectic, socially engaged musical theater that, in the mid-20th century, included such works as the Kern/Hammerstein Show Boat, Marc Blitzstein’s The Cradle will Rock (a work Bernstein conducted), and especially the Blitzstein version of Weill and Brecht’s Threepenny Opera (a work that Bernstein also conducted and that was still in the middle of its unprecedented five-year off-Broadway run when Candide and West Side Story opened). Add to this the sheer genius of the creators, and both “musicals” took this tradition to new heights—and radically influenced the history of musical theater.

            I put the term “musicals” in quotation marks because, in a sense, they reformulated the conventions of the genre. Candide may have opened on Broadway as a musical, but Bernstein titled it a “comic operetta” (a slippery term), and in fact, it has had (like Threepenny) tremendous success in opera houses around the world. The work has been subject to numerous revisions over the years, with changes in its orchestration, in its libretto, and even in what songs are included, who sings them, and what order appear in. It sometimes seems as if no two productions are musically identical. But whatever version you hear, it always begins with the bubbly, Rossini-esque Overture: a “playful” introduction, in the words of conductor Larry Loh. It was the first Bernstein work that Larry ever conducted—indeed, while at Aspen, he cajoled a group of friends to form an orchestra just so he could perform it. His enthusiasm is not hard to understand: The Overture to Candide is so widely beloved, in fact, that it has probably become the most popular 20th-century overture on classical concerts.

Leonard Bernstein at West Side Story            West Side Story has been successful in the opera house, too—as well, of course, as in two wildly popular screen versions. In the concert hall, it’s usually represented by the Symphonic Dances from West Side Story, which was compiled in 1960. The title is significant. West Side Story is, as the score puts it, “based on a conception of Jerome Robbins.” Robbins, a Balanchine protégé, was, among other things, a dancer and choreographer who shared Bernstein’s range, working in classical ballet, Broadway, and film. He had already collaborated with Bernstein on several works, including the ballets Facsimile and Fancy Free—and dance was always integral to the conception of West Side Story.

That dance element dominates the Symphonic Dances, which, as Larry points out, sidesteps many of the show’s most popular songs. Still, for all the youthful kinetic energy of the score, it ends—as the show ends—soberly. In Romeo and Juliet, of course, both main characters die; in West Side Story, Maria remains after the death of her brother and her lover, offering a possibility of hope for the future. It’s an ambiguous possibility, however—the heartbreaking final measures, perhaps modeled on Strauss’s Also Sprach Zarathustra, leave us up in the air.

Anna Clyne            Anna Clyne (b. 1980) may not have been directly influenced by Bernstein, but she shares some of his musical sensibility. Her brilliantly orchestrated tone poem This Midnight Hour (2015) merges ferocity and rapture in a way that may bring West Side Story to mind; and it certainly reveals the eclectic resistance to stylistic constraints that we hear in both Bernstein scores. Then, too, like the Bernstein works, it has a literary foundation, having been inspired by two poems. One is a three-line snapshot by Juan Ramón Jiménez that describes music, in Robert Bly’s translation, as “a naked woman running mad through the pure night”; the other is the opening of Charles Baudelaire’s troubling “Harmonie du soir” (see Appendix).

            The resulting work we might well be called “cinematic”—in several ways. As Larry points out, the macabre opening sets a cinematic mood; and although it’s not entirely soaked with the lush Hollywood sound we get from blockbusters scored by Korngold and John Williams (although there is a bit of that here), it does engage in rapid cutting among different moods. The piece is only 14 minutes or so long, but from the opening, marked “Ferocious with drive” to the final measure marked “Aggressive,” Clyne shifts emotional landscape more than twenty times, interleaving the “Feverish” with the “Regal,” alternating the “Soaring and Passionate” with the “Skittish.” There are some folk inflections, too; and toward the middle, rhythmically driving music  collides against what the composer called a “Parisian-esque waltz,” with half the violas playing a quarter-step off from their colleagues to help imitate the sound of an accordion. Clyne hopes that the music will “evoke a visual journey”—and there’s no doubt that it provides an uneasy but thrilling sense of adventure.

Robert Schumann            The 1850 Cello Concerto by Robert Schumann (1810–1856) is an ideal complement to Bernstein and Clyne, for two reasons. First, Bernstein was a devoted advocate of Schumann’s music, especially of the Cello Concerto, which he performed often and recorded with four different cellists in the course of his career. Second, the work provides a needed contrast to its hyperkinetic companions. Written late in the composer’s life, it’s an inward, slightly melancholy piece, largely without exhibitionist flash (although still extremely difficult to play) until the finale. Indeed, it’s so restrained that while his wife Clara Schumann loved it from the beginning, it took a while for it to catch on more widely. Even as late as the middle of the 20th century, cellist Mstislav Rostropovich was sufficiently frustrated with the sound of the orchestration that he had his friend Shostakovich re-orchestrate it for him, although he eventually came around to the original version.

            In form (although not in spirit), the Concerto is reminiscent of the Violin Concerto by the Schumanns’ good friend Mendelssohn, which we heard at our first Masterworks this year. It’s in three linked movements, tightly unified in its thematic content; and perhaps taking a cue from Clara’s Piano Concerto (which we presented last year), Robert showcases the orchestra’s principal cellist, who has a major role in the second movement.

            Heard on its own, it would be easy to see the Concerto as a reflection of, even submission to, the encroaching syphilis-caused mental illness that clouded his final years. But as I’ve said often, there’s no easy connection between composers’ biographical situations and their music—and by all accounts, this was a relatively happy period in his life. He composed it, astonishingly, within a two-week burst of energy in 1850—and a week later, he was at work on his Symphony No. 3, one of his most life-affirming works. Then, too, in his final days of lucidity, before his suicide attempt and his decision to enter a sanatorium, he found the act of correcting proofs for the piece a source of solace. No surprise: as Clara recognized, it’s a work of tremendous beauty and strength.

And don’t forget: more music by Robert Schumann—his Symphony No. 1 (“Spring”)— will be featured on our first Casual Concert, on Sunday afternoon, November 12, at St. Paul’s Cathedral.

Peter J. Rabinowitz

Have any comments or questions? Please write to me at prabinowitz@ExperienceSymphoria.org

 

APPENDIX

Harmonie du soir – by Charles Baudelaire

Voici venir les temps où vibrant sur sa tige
Chaque fleur s’évapore ainsi qu’un encensoir;
Les sons et les parfums tournent dans l’air du soir;
Valse mélancolique et langoureux vertige!

Chaque fleur s’évapore ainsi qu’un encensoir;
Le violon frémit comme un coeur qu’on afflige;
Valse mélancolique et langoureux vertige!
Le ciel est triste et beau comme un grand reposoir.

Le violon frémit comme un coeur qu’on afflige,
Un coeur tendre, qui hait le néant vaste et noir!
Le ciel est triste et beau comme un grand reposoir;
Le soleil s’est noyé dans son sang qui se fige.

Un coeur tendre, qui hait le néant vaste et noir,
Du passé lumineux recueille tout vestige!
Le soleil s’est noyé dans son sang qui se fige…
Ton souvenir en moi luit comme un ostensoir!

Harmonie du soir
translated by William Aggeler:

The season is at hand when swaying on its stem
Every flower exhales perfume like a censer;
Sounds and perfumes turn in the evening air;
Melancholy waltz and languid vertigo!

Every flower exhales perfume like a censer;
The violin quivers like a tormented heart;
Melancholy waltz and languid vertigo!
The sky is sad and beautiful like an immense altar.

The violin quivers like a tormented heart,
A tender heart, that hates the vast, black void!
The sky is sad and beautiful like an immense altar;
The sun has drowned in his blood which congeals…

A tender heart that hates the vast, black void
Gathers up every shred of the luminous past!
The sun has drowned in his blood which congeals…
Your memory in me glitters like a monstrance!






Leaving a Musical Legacy: Evelyn Brenzel



Music was central to Evelyn Brenzel’s life. A longtime math teacher at HW Smith High School and devoted caretaker for her beloved Doberman Pinschers, Evelyn was a committed member of the Symphoria Family.

Evelyn’s friend shares how much music meant to Evelyn: “When Maestro Loh spoke the words “Beethoven’s Seventh” at the 2020 Symphoria reveal party, Evelyn turned to me with a look of such joy on her face that it still gives me goosebumps. We continued to attend live concerts with her until the very night before the state shut it all down in March.

We were worried about how she would cope, but technology saved the day. After Symphoria’s very moving streamed performance of the Seventh last fall, she emailed me to say ‘I’m in heaven.’”

Not only did Evelyn attend as many performances as possible as an audience member, but she was also a musician. As a college student, Evelyn had the opportunity to sing the Brahms Requiem with the Philadelphia Orchestra on a live broadcast as the nation mourned the assassination of President Kennedy in November 1963. Sadly, Evelyn passed away in December 2020.

We were honored to learn that she generously included Symphoria in her will, making sure that future audiences will have access to the beautiful music she loved so much.
Your legacy gift can keep Symphoria playing beautiful music. If you would like to learn more about how you can create your own musical legacy in Central New York, or if Symphoria is already in your plans, please contact Katie Kaczorowski, Director of Development at 315-434-5279 or KKac@ExperienceSymphoria.org.











The Orchestra



VIOLIN I
Peter Rovit, Concertmaster
Sonya Stith Williams, Associate Concertmaster
Supported by Virginia Parker, in memory of Frederick B. Parker, M.D.
Edgar Tumajyan, Assistant Concertmaster
Supported by David A. A. Ridings
Noemi Miloradovic
Liviu Dobrota
Asher Wulfman
Laura Smith
Yoojin Lee
Bin Gui

VIOLIN II
Amy Christian, Principal
Anita Gustafson, Assistant Principal
Yurie Mitsuhashi
Sara Silva
Linda Carmona
Minjoo Moon
Adam Jeffreys

VIOLA
Heejung Yang, Principal
Supported by an Anonymous Friend
Szu Hua (Mia) Chen, Assistant Principal
Carol Sasson
Arvilla Wendland
William Ford-Smith

CELLO
Heidi Hoffman, Principal
Lindsay Groves, Assistant Principal
Gregory Wood, Assistant Principal
Walden Bass
George Macero
Supported by William & Nancy Byrne

BASS
Spencer Phillips, Principal
Supported by Lou & Kathy Lemos
Michael Fittipaldi, Assistant Principal
Supported by Barbara Davis, in memory of Leslie Davis
Joshua Kerr
Marshall Henry

FLUTE
Xue Su, Principal*
Supported by Dr. Paul E. Phillips & Sharon P. Sullivan, in memory of Frederick B. Parker, M.D.
Leanna Ginsburg, Principal^
Kelly Covert

PICCOLO
Kelly Covert

OBOE
Eduardo Sepúlveda, Principal
The Philip R. MacArthur Chair
Patricia Sharpe

CLARINET
Allan Kolsky, Principal
John Friedrichs, Assistant First Chair

BASS CLARINET
John Friedrichs

BASSOON
Rachel Koeth, Principal
Jessica Wooldridge King

CONTRABASSOON
Jessica Wooldridge King

HORN
Jon Garland, Principal
Nancy & David Ridings Chair
Jonathan Dozois
Supported by Paul Brown & Susan Loevenguth
Julie Bridge, Associate Principal
Tyler Ogilvie

TRUMPET
John Raschella, Principal
Robert C. Soderberg Chair
Roy Smith

TROMBONE
Benjamin Dettelback, Principal
David Seder
Gabriel Ramos

TUBA
John Caughman

TIMPANI
Patrick Shrieves
Supported by Mary Ann Tyszko

PERCUSSION
Michael W. Bull, Principal
Supported by Alice & Michael Kendrick
Ernest Muzquiz
Laurance Luttinger

PERSONNEL MANAGER
Arvilla Wendland

LIBRARIAN
Ben Dettelback

*On Leave
^One-Year











Donor List



Symphoria appreciates all the generous gifts received September 1, 2022 through September 26, 2023 from the supporters listed below. Every effort is made to ensure listed accuracy, but if you have a question, please contact Kelly Covert at (315) 434-5645 or kcovert@experiencesymphoria.org.

Onward, Symphoria Donors

Gifts received as part of this major gift campaign. Donors making campaign gifts of $20,000+ receive recognition for underwriting a musician’s chair or sponsoring a concert for 3 years.

Anonymous:  Principal Viola Chair
David &...

Symphoria appreciates all the generous gifts received September 1, 2022 through September 26, 2023 from the supporters listed below. Every effort is made to ensure listed accuracy, but if you have a question, please contact Kelly Covert at (315) 434-5645 or kcovert@experiencesymphoria.org.

Onward, Symphoria Donors

Gifts received as part of this major gift campaign. Donors making campaign gifts of $20,000+ receive recognition for underwriting a musician’s chair or sponsoring a concert for 3 years.

Anonymous:  Principal Viola Chair
David & Cheryl Abrams:  One Masterworks Concert each year
Estates of Evelyn Brenzel & Ann Marie Cronin:  Choral Concerts
Paul Brown & Susan Loevenguth:  Second Horn Chair
William & Nancy Byrne:  Fifth Cello Chair
Barbara Davis: Assistant Principal Bass Chair in memory of Leslie Davis
Michael & Alice Kendrick:  Principal Percussion Chair
Lou & Kathy Lemos:  Principal Bass Chair
Robert & Vicki Lieberman: Concertmaster Chair
Virginia Parker: Associate Concertmaster Chair in memory of Frederick B. Parker, M.D.
Dr. Paul E. Phillips & Sharon P. Sullivan:  Principal Flute Chair in memory of Frederick B. Parker, M.D.
David A. A. Ridings:  Assistant Concertmaster Chair
Mary Ann Tyszko:  Timpani Chair
Donors contributing to the Frederick B. Parker, M.D. Memorial Gala: Conductor’s Podium in memory of Frederick B. Parker, M.D.

Annual Fund Donors

Gifts received annually from individuals to support Symphoria’s mission to engage and inspire all community members throughout Central New York with outstanding orchestral and ensemble performances, and innovative education and outreach initiatives

$25,000+
Estate of Evelyn Brenzel
The Feng Family
Virginia Parker
David A.A. Ridings
Dr. Paul E. Phillips & Sharon P. Sullivan

$15,000 – $24,999
Craig & Kathleen Byrum
Alice & Michael Kendrick
Robert & Vicki Lieberman
Peter & Nancy Rabinowitz
Mary Ann Tyszko

$10,000 – $14,999
Anonymous
Barbara Davis
David Halleran
Leslie Kohman & Jeffrey Smith
Kathy & Lou Lemos
James & Marilyn Seago
Margaret Shields
Peter & Cherry Thun

$5,000 – $9,999
Anonymous
David & Cheryl Abrams
George Bain
James & Joanne Beckman
Estate of Ruth Bradner
Jonathan & Michele Chai
Lewis & Elaine Dubroff
Robert & Vicki Feldman
Harold Husovsky, M.D. &
Susan E. Stred, M.D.
Susan R. Klenk
Charles Lutz
Walter & Elizabeth Merriam
Edwina Norton
Joel Potash & Sandra Hurd

$2,500 – $4,999
Michael Barkun
Donald C. Blair & Nancy L. Dock
Jonathan & Kathy Bowen
David Brittain
Paul G. Brown & Susan Loevenguth
Deborah A. Cunningham &
Michael W. Bull
William & Nancy Byrne
Mark Costaldi
Willson Cummer &
Michelle Breidenbach
Roger & Naomi Demuth
David Driesen & Jeanne Otten
Daniel & Karen Fuleihan
Lawrence & Dorothy Gordon
Daniel & Julia Harris
Bruce Irvine
Robin & Diane Jones
Dr. Young & Kelly Lee
Zahi & Marion Makhuli
Paul & Vivian Mosbo
David Rankert
Irving G. & Ava Raphael
Ron Ferguson & Helen H. Reed
Neil & Sandy Rosenfeld
Sharye Skinner
William & Margaret Thickstun
Shaila Wood & Ramesh Gaonkar

$1,000 – $2,499
Neville Sachs & Carol Adamec
Charles & Marie Albee
Thomas & Pamela Antonini
Richard & Lynne Bennett
William & Sandra Bennett
Dr. & Mrs. William P. Berkery
Carolyn Bernstein
Thomas Bersani & Joan Christy
Renate BeVard
Kathleen Bice & C.L. Richards
William & Audrey Boyd
Cecelia Broton
Joseph Byrne
Joseph Cerroni & Linda Tassa
Brian & Judith Chanatry
Amy & Rob Christian
Greg & Lynn Clarke
Linda & Bill Cohen
Bob & Bobbie Constable
Michael & Wendy Cynamon
Mark Cywilko & Marianne Moosbrugger
Patricia DeAngelis
Patricia Callahan & David Dee
Mantosh & Anita Dewan
Michael Lee & Deborah Donahue
Katheryn Doran
Bill & Betsy Elkins
Jim & Shari Freyer
Chris C. Gagas
Jon Garland
Thomas & Cindy Giffin
Winifred Greenberg
Tim Guhl & Carol Sasson
Barbara Haas
Burt & Sue Harbison
Donald & Donna Henry
Joyce Homan
Steven & Elaine Jacobs
Richard Jaeger
Drs. Harvey & Deborah Kliman
David & Gloria Kreh
Frederick Kucinski & Barbara Omicinski
Charles & Stephanie Ladd
Henry & Nancy Lambright
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Charles & Hwasun Loh
Lawrence & Jennifer Loh
John MacAllister & Laurel Moranz
James MacKillop
Rocco & Roberta Mangano
John & Candace Marsellus
Suzanne & Kevin McAuliffe
Jeremy & Michelle McKay
Thomas McKay & Dianne Apter
Tom & Mary Lou Mees
Fritz Messere & Nola Heidlebaugh
David Mirabito
David & Beth Mitchell
Ralph Mosca
Eric & Judy Mower
Ed & Alice Nanno
Dr. Patricia J. Numann
David & Janice Panasci
John & Sheila Parker
Amy M. Parker & Paul S. Stein
David Pida
John W. Przepiora & Carolyn Stark
Mihael & Kimberly Puc
Michael & Rissa Ratner
Paula Rosenbaum & Jacques Lewalle
Martha Sutter & David Ross
Arnold & Libby Rubenstein
Kelly & Steven Scheinman
Margery Rose & Henry Schoeneck
Mr. & Mrs. William Schu
Gracia Sears
Patricia Sharpe
Craig Simmons
Frank Smith
Mark & Beth Steigerwald
Ed & Louise Stevens
Howard & Anita Weinberger
Miriam Weiner
Jeremy Winston & Tina Maxian
Katherine Woodle
David & Emily Wormuth

$500 – $999
Ronald & Susan Berger
Marion & Elizabeth Bickford
William Billingham
Joseph & Mary Browne
Craig & Carol Buckhout
Andrea Calarco
Ronald Capone
Ronald & Nancy Caravan
Carol Watson
Stella Castro
Shiu-Kai Chin
Robert & Marsha Chopko
Sam & Carolyn Clemence
George & Deborah Coble
Richard & Marjorie Cohen
Joan Conine
R. Patrick & Margaret Corbett
Toby Cosgrove
Kelly & Kelly Covert
Barbara Czarnecki
Michael & Elizabeth Daly
Becky Dodd
John & Janet Dwyer
Guy & Nancy Easter
William Eberhardt
Richard & Jill Ertinger
Elizabeth Etoll
John & Patricia Fey
Earleen Foulk
Adam Gagas
Susan Gifford
Rev. & Mrs. Michael & Alisa Grinnals
Gary & Bonnie Grossman
Estelle M. Hahn
Lamont & Joan Hahn
Bryce & Judith Hand
Joan M. Hanlin
Margaret Hermann
Nancy & Samuel Hester
Katarina Oladottir & Martin Hewitt
Steven & Amy Heyman
Michael & Victoria Hoffman
Peter Vanable & Anne Jamison
Carolyn Kanaley
Kiyoshi & Yasuko Kimura
Robin Kinnel
Christopher & Deborah Knight
G. Roberts & Lauralyn Kolb
Ronald & Cynthia Kowalski
Andrea Latchem
Richard Levy
Susan Lison
Janet Little
Michael & Jean Loftus
Linda Loomis
Doug Lyon
Christopher J. Mack & Catherine Diviney
Donald J. & Patricia MacLaughlin
Nels & Deborah Magnuson
Rocco & Roberta Mangano
Susan E. Martineau
Lowell McBurney & Carrie Penner
Robert & Susanna McVaugh
George Mehallow
Lois Meyer
Mark & Debbie Miller
Donna Miller
Richard Molitor & Karen Nezelek
Richard & Susan Moran
Roger J. Morton
Pamela & Matthew Murchison
Barbara Nevaldine
Fran & Sally Lou Nichols
Dr. & Mrs. Anis I. Obeid
Drs. Wale & Bimpe Oguntola
Mary Pat Oliker
John & Danielle O’Loughlin
Lleni Pach
Patricia Peach
Marc & Marco Ramos
Donnaline Richman
Jonathan Richman
Carl Rubino & Barbara Gold
David & Anne Schmitz
Edward & Lois Schroeder
Steven & Marilynn Schroeder
Larry & Connie Semel
Judith B. Smith
William Smith & Barbara Ford
H. Paul Steiner
Nan & Carter Strickland
Thomas E. Talbot
Lawrence Tanner & Linda LeMura
Michael & Nancy Teodecki
Norma Tippett
Robert Turner & Elizabeth Jensen
Joseph & Carole Valesky
Stephen & Margaret Webb
Sally Webster
Jenna Weitzel
David & Jayne Wilson
Estate of Robert W. Daly, M.D.
Charles Woods & Gail Azeredo-Woods
Richard & Kelly Ziemba

$100 – $499
Anonymous (5)
Leander Abbott
Ellen M. Agnew
David Allen
Douglas & Elizabeth Anderson
Robert & Jeanne Anderson
Robert & Alice Andrews
Arco Art Violin Shop
Manuel Ares
Peggy Ogden & Tim Atseff
Dave & Marge Babcock
Jo Anne Bakeman
W. Gary & Jean Baker
Dennis & Gail Baldwin
William & Evelyn Baldwin
Kirsten & Jonathan Basch
Walden & Emily Bass
Todd & Sophia Battaglia
Dale & Patricia Beatty
Jean Beers
Barbara Bell
Thomas & Susan Bergemann
Robert Berger
Janine Bernard
Edward & Angela Bernat
Michael Birnkrant
Diana Biro & Eric Rogers
Nicolina Bisson
Marilyn Bittner
Richard & Andrea Blair
Patricia Blochowiak
Susan Boettger
Carl & Alice Borning
Dr. Michael & Melanie Bowser
Bernie & Ona Bregman
Carroll Brown & Ann Young
Ted Brown & Anne Munly
Bryant Buchanan & Sharon Wise
Mary Burgess
Alfred Kelly & Sharon Burke
Frank Byrne & Mary McCune
Mr. & Mrs. Michael Calo
Lawrence & Fran Campbell
Nancy Caple
Catherine L Cardelus
Patricia Carey
Judith A. Carr
Edward & Sarah Castilano
Anthony Catsimatides
Elaine Ceresko
Val & Steve Churchill
Bart & Jean Clapsaddle
Thomas & Joan Clark
John & Christine Clark
Joe & Nancy Clayton
Richard J. Clemons
Kenneth & Lynn Cline
Paul & Linda Cohen
Carol Colvin
Lawrence & Mary Frances Comfort
Sidney Cominsky
Mary Ann Connor
Charles & Barbara Coon
Robert & Lorrie Cooney
James Cosenza
Theodore Cox & Colleen Snow
Diana F. Cramer
Helen Cronk
Raymond Cummings
Arthur & Mary D’Addario
Daniel D’Agostino
Darrin Dayton
Virginia Debenedictis
Bonnie DeBoer
William & Terry Delavan
Margrit Diehl
Mr. & Mrs. Manfried Diflo
David & Dana DiGennaro
James & Donna Dispenza
Alan & Linda Dolmatch
Emily A. Dopkowski
Joseph Downing
Rebecca A Downing
Rebecca Dreher
Corinne Driscoll
Stephen & Michaeline Driscoll
David & Robin Drucker
Elizabeth Dugan
Carol Dumka
Dorothy Dunham
Nan Eaton
Cantor Kari Eglash & Joel Eglash
Barbara Egtvedt
John M. & Margaret Elliott
Richard Ellison & Gillian Epstein
Christopher Erat
Michele & Jack Estabrook
Brant Fagan & Mary Jane Abt-Fagan
Caragh Fahy
Jennifer Fais & Noel Sylvester
Rev. Janet L. Fechner
Mark Feldman & Christine Riley
Paul Ferenchak
Jane Fields
John Fields
Maryann Finn
Mary Ann Finn
Robert & Terry Flower
Michael & Susan Fox
Nancy Freeborough & Swiat Kaczmar
Kenneth & Kathleen Freer
Lanny Freshman
John & Annette Friedrichs
Eileen Gannon
Barbara Genton
Sharon & David Gerber
Christine Geyer
Sandra Gingold
Heidi Gitzen
Edward & Laurel Golash
Irwin & Beth Goldberg
Jacki & Michael Goldberg
William Goodwin
Michael & Wendy Gordon
Charles & Sandra Gowing
Jack & Yana Graver
Bob Graves
Stephen L. & Julia Graziano
Mark Greene & Cynthia Dowd Greene
Edmund C. & Nancy Greml
Jonathan & Elisabeth Groat
Robert & Martha Group
Gary Quirk & Charlotte Haas
Mary Elizabeth Haas
Patricia Hagemann
Patrick Hahn & Susan Drummond
Steve & Theresa Haigney
Dana & Susan Hall
Richard R. Hall
John Hallihan & Ethelwyn Soper
Daniel & Diane Halsey
Ruth Pass Hancock
Baird & Sarah Hansen
Marilyn Hanson
John Harnois
Laurence & Ann Harris
Richard & Ann Harris
Thomas & Melanie Hartzheim
Douglas & Nancy Hatch
Susan & Richard Hawks
Ronald & Irene Hebert
Suzanne Heiligman
Richard & Susan Heimerman
Rev. Kenneth Heuermann
Richard & Janice Hezel
Thomas D. Higgins
Drs. Joseph Himmelsbach & Paula Trief
Thomas Hirasuna & Jean Hunter
Charles & Carol Hladun
Geoffrey Holm
Alyse Holstein
Ruth Hotaling
Mary E. Hough
Jane Hudson
Peter & Mary Huntington
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Board of Directors



Mary Ann Tyszko, President
President & CEO, SRCTec (retired)

Anna Putintseva, Secretary
Partner, Bousquet Holstein

Frank Messere, Treasurer
Dean Emeritus, School of Communication, Media and the Arts, SUNY Oswego

Violet Bundi
Attorney, Interfaith Works

Amy Christian
Symphoria Musician (Violin)

Kelly Covert
Symphoria Musician (Flute/Piccolo) & Corporate Giving & Annual Fund Manager

Caragh Fahy
Owner & President, Madison Financial Planning Group

Vicki Feldman
Community volunteer and expert volunteer fundraiser

Kimberly Flomerfelt-Puc
Certified Legal Nurse Consultant

Jon Garland
Symphoria Musician (Horn) & Director of Operations

George Kilpatrick
Host, Inspiration for the Nation

Allan Kolsky
Symphoria Musician (clarinet)

Robert Lieberman
Managing Partner, RAV Properties

Shelly Thompson-Liedka
Vice President & Commercial Banking Manager, M&T Bank

Wale Oguntola
Nephrologist, St. Joseph’s Health Hospital & Crouse Hospital

Jackie Penfield
Senior HR Consultant, OneGroup

Peter Rabinowitz
Professor, Hamilton College

Martha Sutter
Interim Associate Dean of Academic Affairs & Teaching Professor of Voice, Syracuse University

Marcus Webb
Program Manager, Entrepreneurship at Columbia Technology Ventures

Gregory Wood
Symphoria Musician (Cello)





Symphoria Staff



Pamela Murchison
Executive Director

Jon Garland
Director of Operations

Sabrina DeVos
Orchestra Manager

Nicky Radford
Education & Youth Orchestra Manager

Emily Bass
Box Office Manager

Arvilla Wendland
Personnel Manager

Ben Dettelback
Librarian

Katie Kaczorowski
Director of Development

Lara Mosby
Senior Manager for Advancement and Community Engagement

Kelly Covert
Corporate Giving and Annual Fund Manager

Brian Pope
Data & Patrons Services Associate

Paul McShee
Youth Orchestra Music Director

Jessica Tumajyan
Youth Strings Conductor